He arrived in a good mood for the interview, which was part of the London presentation of the new film Avatar: The Way of Water. He sat down at a table where several journalists from all over the world sat, including me, the only representative of the Czech and Slovak media.

Yeah, we know exactly what happened, we know how the series ended, since around 2015 when Jim (that’s what everyone tells the director – watch ed.) presents an accurate story map. We also look at the photos. And let me tell you, this is a very big story. I’m sure nothing of this magnitude has ever been done in film. That’s also why we have to shoot quickly. Children grow and mature quickly. This makes two, three and part of four. For a story this big, you have to have pictures to tell it.

I feel like I’m always forcing my wife to do something (Neytiri, played by Zoe Saldana – note ed.). Number two deals a lot with family relationships.

It is this pure love that is the driving force behind the duo’s plot. I, Jake Sully, don’t get along with him easily.

Because it’s in the script (laughs). Not really. My character must not only be a loving parent, but he must also remain a soldier. All this is inside him. He still has to decide when to be a good father who plays with the kids, who enjoys his family, and when to fight. He knows very well what he stands for, what everyone can lose… Sometimes, while shooting with Zoe, Neytiri, the mother of our children, we say to ourselves that we are “parents from hell.” ” in our firmness. But that’s what Jim wants from us. Clear, bold in script.

It’s like making an independent film.

It may sound strange, but the atmosphere there is very warm, similar to what you get as an actor working in an independent production. People who really know and like each other congregate on the set of Avatar. Not only actors, but also everyone from other professions. We leave our egos at the door. Very good! Even for the audience.

I think that’s reflected in Avatar. You can feel the ease of manufacture, even though it is a very large and expensive production… Moreover. What you see in theaters is done in whole in part. I’m not always surrounded by other actors on set. Sometimes I’m on set alone, other times it’s just Zoe. Sometimes the set looks like they are shooting an intimate drama.

And why not? Jim helped a lot with that. He is very kind. He cares about the family atmosphere. It creates the conditions for it. He also allowed us to bring his loved ones to parts of the shoot. Serious ones usually don’t happen in such a big project. They are mostly closed. But Jim said: if I make a story about a family, I can’t forbid the children to come to you. They always carry a natural supply of joy, energy, curiosity that will help us.

I prefer to give an indirect answer. It’s about water and not about water. During a shoot like this, where there’s so much technology, you have to forget about it. Only then can you play. You have to focus on the role. In the water, you often lose some of what you are used to at work, among other things, you don’t see the reaction of your acting partner, your acting partner. Plus you don’t naturally have oxygen…

You have to get used to everything. You have to trust yourself and the technique. It’s about patience. You don’t need to panic. Sometimes things break too, you still have to trust that someone will sort it out soon and you’ll be out on the water again… The avatar simply doesn’t give a chance to “not cooperate”. It can’t happen over it like in some shootings, when the actors and the people implementing it all technically face each other. We must make peace with each other, together look for possible improvements, so that everything can be done.

Fifteen seconds of fun…

Month. We had, for example, a big meeting in Hawaii before filming, where we went ocean diving. Fish swim around us, sometimes it’s night, sometimes you can’t see anything, sometimes you don’t know if you’ll show up again…

But yes. Anyone can dive if you have good equipment. But this activity is about one more thing that is more important than technology. Beneath the surface, you have to readjust your own thinking. You have to conserve oxygen down there. However, you have to figure out how to do it yourself. You don’t ask anyone much underwater. Although yes, Jim spoke to us there too.

Of course, who else should know more about these things than him, the freediving record holder. He especially advised us to manage oxygen well to calm down. The human body behaves differently underwater than on land. You have to set accordingly.

But we see each other. There is also a screen while shooting in the pool. We can also see how the recording is in cyberspace. We also checked every time we got out of the pool… There was a lot of material and information that was sent during the filming of Avatar.

Well, I repeat again that the most important thing is to play as if you were not in the water at all. When Zoe is angry, she is angry. I react like Jake. We have to fight when we have to fight. Again, it’s all about your focus on your character.